He is a sought-after collaborator who literally cannot write music with anyone else in the room. That might actually just be because he's a softly spoken Australian who's partial to a joint and who's written some of his best songs stoned out of his tree. PARKER: At the end of the day, it’s the same. So it’s not worth going after.” But no, it was a happy ending. Hence, the mellow vibe. I’m joking, obviously. In March, when it became clear most people around the world would have to hole up for a while to combat the spread of COVID-19, the Tame Impala mastermind and his wife, Sophie Lawrence, were faced with a significant decision: Stay in LA or make a break for Parker’s native Perth? I really, really hope that we are given an opportunity to finish it and release it. That’s especially true for a notorious studio rat like Parker. Like they found a picture of Kevin Parker and it was that guy. Elsewhere in the interview, Parker also clarified whether Tame Impala is considered a band or a solo project. Which is kind of like my M.O. PARKER: I just did the drums. PARKER: Yeah, something like that. I didn't actually intend for that to be on the album. STEREOGUM: One of your other biggest crossovers into the pop realm was when Rihanna covered your song. PARKER: I think someone in my record label or management flagged it. Like hold up on the distorted guitars, you know? A soundalike is a thing. I mean, that's kind of one of the whole things of it, being at peace with the idea of people hating it. He wanted to have new songs to play, but they weren't ready. So it just reminded me of all the people that I never got back to [Laughs]. It’s everything. At least to my knowledge. And he was really into it the whole time as well. STEREOGUM: Where did the concept for that song come from? At the end of the day, I think it was right at the time when SZA’s career was taking off. At the beginning of this decade Tame Impala were a beardy psychedelic rock band operating out of Perth, Australia, one of the more isolated cities in … You've talked before about experimenting in the studio, things like putting chords on as you go to sleep and then waking up with a melody in your head. I can't emphasise enough how important it is to me to feel like I'm just outside my safe zone. But in terms of people who were big on Fallon — I didn’t know who Jimmy Fallon was. STEREOGUM: When you’re programming drums for a rap record, do you approach it differently than if you’re working on a Tame Impala record? I spend by far the most amount of time on drums and rhythms of my songs than any other part. Is there an art to printing stems? “The music sounds like a band, which I … The Slow Rush is released worldwide in 14 February. When I'm working on something that I've written myself, and no one in the entire world has heard it, I feel like the first person who does is gonna burst into tears of joy and tear off their clothes and run into the ocean. anyway in a lot of settings. Fuck yeah, I’ll get the guy from Tame Impala and John Mayer on bass and guitar. PARKER: No, no. I guess that’s how Kanye works, he just takes bits and puts them where he wants. Music had already saved him once, in the wake of his parents' divorce, first when he discovered drums at the music school they sent him too and then when he started dabbling with the guitars that littered his father's house. Did you see that clip? I don't just mean on my own, but working that intensely. Mark is someone I've been super close with for a long time now, so it's much easier for me, but the big difference is because I've never been able to separate creative time from social time, I know that I piss Mark Ronson off sometimes. How different was the creative process from your own? Parker's childhood was, let's say, non-linear. This sounds a very overblown way of saying it, but it took international success for me. It's different every time. I never have. So I just sang the first thing that came to my mind. And that’s not indicative of a regular Australian person. I always saw being solitary as a necessity, because I didn't know how to make [music] with people. Which is obviously never true. He developed an almost chronic shyness, for which music became a kind of balm. KEVIN PARKER: He just got in touch and said he was doing this project. It’s been attempted many times before, so it’s kind of a challenge: “We gotta try and do this, and do it well.”. 2020年2月14日、待ち望んでいたTame Impala(テームインパラ)の新アルバム“The Slow Rush”がリリースされた。 2016年度グラミー賞の最優秀オルタナティブミュージック賞にノミネートされ、Tame Impalaがワールドワイドな人気を獲得するきっかけとなった前作“Currents”から5年。 Exactly. PARKER: No, I think she was in quite a hurry to finish her album. You may be able to find the same content in another format, or you may be able to find more information, at their web site. I couldn’t believe it. For me it’s everything in a song. When he joined bands later, using music as a way to make new friends, he struggled to draw the lines between fun and work. I think Gaga too, that’s probably not something that makes her feel artistically fulfilled. "It was around the time I was so inside my own head and just completely lacking in perspective," he says. I think that could be really good. For me, the music I imagine making is for people listening to by themselves. But it also led to a strange relationship with creativity. Hence why, though I'm fairly confident that he's not actually the Messiah, it's hard to be sure. But the awkwardness endures. Because there’s zero second guessing. There's no one telling you to just release it? But it has to be on my terms. If I made an album in one week, some of my fans would consider it my best album. 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