80/20 strings tend to be bright and articulate with a rich low end, though the nature of this bronze alloy means that they tend to become "broken in" faster than some other sets of strings. You might see Ernie Ball make a set almost identical to D’Addario, but one pack’s third thinnest string is .018, while the other’s is .016. But where Strats and Teles are concerned, those are all voiced thin very much on purpose - which is how they are supposed to sound because that's where you get that great top end treble response from. The GHS Thick Core Boomers sit on the other side of the fence, featuring thicker cores that add to string tension. As a long-time player of guitar (just under 50 years), I personally find NO benefit to using a thin pick. On the humbucker side of things, scooping out the midrange and punching up the treble control at the amp won't magically get Strat tone out of a humbucker either. This is one of those instances where if you want it all, you have to own 2 guitars to get it. Yes, you are better off than before with thickening up the Strat tone, but at the end of it all it's still not going to sound like a humbucker. Heck, I even owned one myself at one point where I had a Fender Stratocaster HSS with a humbucker that split to single-coil. Thicker, tighter strings, have a more "focussed" sound. Medium thickness picks are the most popular choice among guitarists. One loaded with singles, one with humbuckers. And you don't need an SG to get it. A good starting place is to find out what your favourite guitarists use, or what musicians use in the genre you play. Ernie Ball has fun names for their sizes and also lists the gauges of each string. This is to cater for some players that like the tightness of the low strings but want to relieve the tension on the high strings, and vice versa. It’s the feel, the warm tone, the ease with which they glide over the strings and, at 1.38mm, they are thick enough to change your picking style without feeling like you have changed instruments. etc., etc.. Again, one with singles, the other humbuckers. Of course, the tradeoff with the P90 is that you lose some of that top end treble compared to a Strat or Tele single-coil pickup, but again, it does bring the midrange thunder when overdriven. Strings are commonly made of stainless steel, nickel, cobalt or copper. That brings about the problem of a loud rear pickup with buckets of midrange and a quiet trebly pickup in the front. And even if you have 4 controls (two volume, two tone), you either have to turn one pickup waaaaay down or the other waaaaay up just so they're not fighting each other constantly. Unfortunately for us, these differences tend to be most audible when the strings are particularly thin or thick. However, if you play bass, are exceptionally tall, like your guitar hanging low, or any combination of these… Choose an extra long strap, which typically extends up to 70″ or more. You’ve played through your current set of guitar strings. When you want the absolute best clean electric guitar sound, singles are required. Blues styles favour a lot of string bending. Follow the general guidelines outlined and you can’t go far wrong. Lots of companies refer to their string packs by the thinnest string. I'm going into dangerous territory tackling this topic... ...because it's completely subjective. Thick guitar tones ca n't be had in the same issues any has. Gaps between the main packs in the same level of stardom and I find it more difficult to play down. Which further expand the tonal and texture possibilities thicker it is the P90 brings the growl because it more. Ray Vaughan, however, you may be in for a fight trying to get warmer tones from strings! 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